Saturday, May 29, 2010
Someone asked me today if I had three channels to watch - the anger channel, the misery channel, and the sunshine channel - which would I choose to watch? It was an unfair question; obviously I was supposed to choose the sunshine channel. But just as obviously, I guess, I don't think that's the choice I'd actually make. What possible benefit could you glean from closing yourself off to certain inevitable avenues of human experience, unsavoury though they may be? We are all going to experience anger and misery in our lives; being open to them allows us to figure out how to work with them more intelligently and sensitively than by just running away. There is an emotional rawness which can only be tapped through anger, and there is a sweetness on the other side of fully-realised misery that you will not find anywhere else. So I wouldn't choose to watch just the sunshine and puppies and lollipops channel. I would watch all three. And so I do.
Monday, May 24, 2010
I'm a big fan of Pullman. I loved the His Dark Materials series, so much so that I found it hard to talk about without getting very excited and jumbling all my words for a year or two after I finished the third book. Pretty sure I've written about Pullman here before... oh well, I'm too lazy to find the post and link to it. The long and the short of it is that his less than exalted view of religion finds a very receptive audience in me, so it was with great pleasure that I added his new book (let's just call it GMJ for the sake of brevity) to my library queue.
The book is a retelling of the story of Jesus Christ, however, with the revision that Jesus and Christ were two different people - twin brothers with decidedly different approaches to the question of what is Good. I found the title to be a bit of a misnomer; I didn't think Christ was depicted as a scoundrel at all, just someone with good intentions and poor judgement. I wondered as I read GMJ whether Pullman had come up with the title of the book first, then wrote it, realized it didn't quite match his original vision, but didn't want to part with such a juicy title. I don't know that this is so, but I imagine that it might be. Regardless, both Jesus and Christ were surprisingly nuanced and, I thought, sympathetic.
One of my favourite quotes from the book, from the chapter "Jesus In The Garden Of Gesthemene," page 197: "As soon as men who believe they're doing God's will get hold of power, whether it's in a household or a village or in Jerusalem or in Rome itself, the devil enters into them." Power corrupts, and absolute power corrupts absolutely; what power is greater than believing you're doing the work of God? Doing good in the world requires humility, and is not reconcilable with ostentation or pride.
Apart from the splitting of Jesus into two people, I don't know how consistent GMJ is with the gospels. I wasn't raised with any sort of religion, and for better or for worse, most of my knowledge of Jesus comes from pop culture depictions. In fact, if my best friend in high school hadn't convinced the bus driver on the way back from our senior class trip to play the Jesus Christ Superstar soundtrack, thus piquing my interest, I don't know if I'd know much of anything about Jesus. Ha! Take that, religious right! Most of my knowledge of Christianity comes from show tunes, that ever present staple of gay culture.
Overall, I give the book a thumb's up; it's not as scandalous as the title suggests, and I think Pullman does a good job of retelling the story and calling into question the more dubious aspects of Christianity (abuse of power, treating followers as sheep, &c.) while keeping the core values of the protagonist(s) intact. But if you really want to have your mind blown by Pullman's philosophy on religion, do yourself a favour and read the His Dark Materials trilogy.
Thursday, May 6, 2010
There's a new radio drama on the CBC - Backbencher. It's about a brand spanking new MP in the House of Commons from a riding in Nova Scotia. I'm quite enjoying it so far; it doesn't have the action/drama of Afghanada or the comedy of Canadia 2056, but it's near sight more entertaining than Monsoon House. I can't imagine what Backbencher's target audience is, though; is there really a swell of interest for Canadian Parliamentary drama? I would have figured I'd be more or less the only person interested in this sort of thing.
In other news, I'm toying with the idea of combining two of my interests and writing a radio drama/comedy set in a yoga studio. I have a few rough ideas in mind, but haven't put pen to paper yet.